While going through several boxes of items belonging to family, especially my grandparents, Leroy & Donna Barmes, I came across the jewelry box containing some neat items….
The locket contains two photos I’ve never seen. The top photo is of my Grandmother’s brother, Ronald Monroe Clary, who was killed at age 15, in 1936. The bottom photo is of my grandfather, Leroy Barmes, 1921-2004.
Edward Baker “Eddie” Lincoln (March 10, 1846 – February 1, 1850) was the second son of Abraham & Mary Todd Lincoln. He was named after Lincoln’s friend Edward Dickinson Baker, and the youngest Lincoln son to die. Eddie died one month short of his fourth birthday.
Eddie’s remains are buried at Lincoln tomb at Oak Ridge Cemetery in Springfield, Illinois, USA. Both parents were devastated. Some historians believe Eddie’s death began Mary Todd’s journey to instability. A week after Eddie’s death, a poem entitled “Little Eddie,” was printed in the Illinois State Journal (a newspaper). Despite a century dispute over the authorship of the poem, the author of this blog firmly believes it was written by Mrs. Lincoln for his mother spelled his name “Eddie,” while his father spelled it “Eddy.”
Those midnight stars are sadly dimmed,
That late so brilliantly shone,
And the crimson tinge from cheek and lip,
With the heart’s warm life has flown –
The angel of Death was hovering nigh,
And the lovely boy was called to die.
The silken waves of his glossy hair
Lie still over his marble brow,
And the pallid lip and pearly cheek
The presence of Death avow.
Pure little bud in kindness given,
In mercy taken to bloom in heaven.
Happier far is the angel child
With the harp and the crown of gold,
Who warbles now at the Savior’s feet
The glories to us untold. Eddie,
meet blossom of heavenly love,
Dwells in the spirit-world above.
Angel Boy – fare thee well, farewell
Sweet Eddie, We bid thee adieu!
Affection’s wail cannot reach thee now
Deep though it be, and true.
Bright is the home to him now given
For “of such is the Kingdom of Heaven.”‘
The final line is on the boy’s tombstone. The next child of Abraham and Mary, William Wallace Lincoln, was born ten months after Eddie’s death.
* The photograph included in this post has been in dispute since its discovery. Some believe it is Eddie Lincoln, some believe it is his younger brother, Willie. I, personally, have always believed it to be Eddie Lincoln.
“All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible.”
Thursday, a Facebook friend sent me a private message.
“Several of us think you post too many things on Facebook. It gets old reading all your posts. Why don’t you only post the most important things.”
I had to laugh because the person reporting this information posts slightly less than I do. I replied that:
It is my Facebook site; therefore, it is my business
You do not need to be my friend on Facebook
You can adjust it so you do not receive my posts
Get a life
I went ahead and assisted the individual. They won’t be able to read any of my posts.
I think Facebook is a wonderful tool for connecting with the rest of the world: family, friends, hometown friends, college friends, colleagues, students, former students, parents of students and former students, etc.. I have gotten to stay in touch with so many folks these past four years, and have loved renewing life with cousins, and friends in distant places.
Most of my posts occur in the morning. I work at my desk writing, or researching, for fifty minutes, and then take a 10 minute break. This is when I generally scan down my Facebook page, and hit the “share” button so I can read things late at night before going to sleep. Most of the motivational quotes are specifically for me so I can stay focused, and continue pushing forward. If it has anything to do with American history, it will find its way on to my Facebook page so I can read. If I find things of interest for others, I send it to their page, or acknowledge them so they, too, can read the article. Sometimes I post things to serve as my personal journal, filled with quotes, items from my day, thoughts about my day, photos, etc.. So often, folks post such positive comments, and some even send me private notes. This note, written two months ago, I just discovered this morning:
Darin, I just wanted to say thanks to you. I read your posts every day and they are filled with joy for all of us who read them. You have a wonderfully positive attitude that turns a dark day into one with hope and inspiration! Even though a subject may be dark, you have a look of light through the darkness. For this, I thank you! You are a bright spot. I am glad that we have reconnected!
So, for the petty little group of individuals complaining, to the one who sent me the private message to complain, to the band director from another community, to the bitchy band parent who was upset I don’t post photos of their child, and to anyone who doesn’t like the number of posts… too bad. You can easily delete me on Facebook. You can adjust your settings so you do not see my posts. If these items are a challenge, then, I invite you to get a life. Find something productive, and more positive to do with your time, and with your life.
Dear Friends,
Our winter newsletter is the one we most look forward to creating for you each year. It marks the anniversary of our opening to the public on Presidents Day (four years ago in 2008), Abraham Lincoln’s birthday on February 12 (203 years ago in 1809), and gives us an opportunity to share our accomplishments from the past year as well as our plans for the coming year with all of you.
Opening this Friday, February 17, this special exhibit will challenge perceptions of slavery in America today and raise awareness of a growing humanitarian crisis. By posing the question, “can you walk away?” this exhibit will inspire people to engage with the modern abolitionist movement and to see that slavery is an ongoing issue that requires big thinking and direct action, just as it did in Lincoln’s time.
Survivor Made Goods Now Available In honor of President Lincoln’s legacy, the Cottage is taking a very active role in selling Fair Trade merchandise, including survivor made goods. These items can be purchased in the Museum Store or on the online store. Each Fair Trade product comes with a brief description card about the company or organization and the artisans that created the product.
Our Premium and Director’s Tours are designed for those who are looking for an intimate, behind-the-scenes look at Lincoln, his beloved Cottage, and the historic grounds of the Soldier’s Home. Take advantage of this unique opportunity! To schedule a Specialty Tour of the Cottage or email Sahand_Miraminy@nthp.org or call (202)829-0436 x31232
An Interview with Bradley Myles Callie Hawkins, Curator of Education at President Lincoln’s Cottage and the creator of Can You Walk Away?, recently had the opportunity to sit down with Bradley Myles, Polaris Project CEO, to discuss the work Polaris Project does to fight modern slavery.
The Human Race Theatre Company is a professional theatre that works under a Small Professional Theatre Contract (SPT 6) and performs in The Loft Theatre, a 219-seat thrust stage.
Kevin Moore, Producing Artistic Director. Tara Lail, Managing Director.
NEXT TO NORMAL will be performed under a Letter of Agreement to LORT D Contract at The Victoria Theatre, a 1100-seat proscenium.
Rehearsals are primarily Monday – Friday evenings, and daytime on weekends.
Auditions are open to Non-Equity and Equity Actors (unless otherwise noted), with Non-Equity actors having the opportunity to join the Equity Membership Candidacy Program.
Procedures for ADULT auditions:
CHICAGO– Adult Generals:
Plays only: Come prepared with 2 one-minute contrasting monologues.
Musicals only: Come prepared with 2 contrasting songs. Bring your own music. An accompanist will be provided. No a cappella singing or recorded music.
Both: Come prepared with 1 one-minute monologue and 1 song. Bring your own music. An accompanist will be provided. No a cappella singing or recorded music.
* You will be auditioning for Kevin Moore, Producing Artistic Director and Tara Lail, Managing Director. *
DAYTON- Adult Generals:
Plays only: Come prepared with 2 one-minute contrasting monologues.
Musicals only: Come prepared with 2 contrasting songs. Bring your own music. An accompanist will be provided SATURDAY ONLY. Sunday musical auditionees must provide their own accompanist or CD/Ipod/MP 3 player with song to be sung. No a cappella singing.
Both: Come prepared with 1 one-minute monologue and 1 song. Bring your own music. An accompanist will be provided SATURDAY ONLY. Sunday musical auditionees must provide their own accompanist or CD/Ipod/MP 3 player with song to be sung. No a cappella singing.
* You will be auditioning for Kevin Moore, Producing Artistic Director and Tara Lail, Managing Director. *
To schedule your audition:
DAYTON GENERALS
Appointment calls will be accepted on and after WEDNESDAY, APRIL 11, 2012. (Monday – Friday, between 10:00am – 4:30pm).
DAYTON YOUNG ACTOR AUDITIONS
TBA
CHICAGO GENERALS
Appointment calls will be accepted at the AEA office the week before the audition date. Check the AEA website for additional info. Non-AEA friends in Chicago should call Kryss at 937-461-3823 ext. 3112 to schedule an audition appointment (Monday – Friday, between 10:00am – 4:30pm EST), on and after WEDNESDAY, MAY 30, 2012.
If you cannot attend our General Auditions and wish to be considered, submit your updated resume and headshot with a letter explaining the shows and role(s) of interest to you.
Please do not e-mail Kryss to set-up an audition time.
2012 – 2013 Season Dates
Managing Maxine
1st rehearsal: Aug. 13, 2012
Production: Sept. 6 – Sept. 23, 2012
Under A Red Moon (Special)
1st rehearsal: Oct. 1, 2012
Production: Oct. 18 – Oct. 28, 2012
Oliver
1st rehearsal: Nov. 5, 2012
Production: Nov. 29 – Dec. 16, 2012
(Possible extension thru Dec. 22, 2012)
Lombardi
1st rehearsal: Jan. 14, 2013
Production: Feb. 7 – Feb. 24, 2013
In-School Tour
1st rehearsal: TBA
Production: TBA
(non-equity only)
Race
1st rehearsal: March 11, 2013
Production: April 4 – April 21, 2013
Next to Normal
1st rehearsal: April 8, 2013
Production: May 7 – May 19, 2013
Avenue Q
1st rehearsal: May 10, 2013
Production: June 6 – June 23, 2013
Music Theatre Workshops – TBA
1st rehearsal: TBA
Production: Throughout the Season
Marsha Hanna New Play Workshop- TBA
1st rehearsal: TBA
Production: October 2012
The Human Race Theatre Company
126 N. Main St. Suite 300
Dayton, OH 45419
(937) 461-3823
contact www.humanracetheatre.org
Today was the first time I’d ever seen the musical, THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE. One of my voice students, Heather Barker, portrayed Logainnr Schwartzandgrubenniere, and Heather was absolutely hilarious!
Heather began studying with me when she was in high school, and I had the pleasure to serve as the music director/conductor for Beavercreek High School’s production, THE PAJAMA GAME, in which Heather played the lead, Babe Williams. Heather, then a senior in high school, was so impressive during the rehearsal process – always well-prepared, attentive, mature, and very professional in her manner, and behavior. She ventured on to Arizona State University, and is now returned to Ohio to study theatre at Cedarville University. It is a joy to be reunited with Heather as student and voice teacher, and to be a part of her continued growth as an actress. Today’s performance as Logainne was re-confirmation that Heather is a very capable, talented theatre student. I am so proud of her!
I was also very impressed with the quality of this Greater Hamilton Civic Theatre production! It was class from the parking lot to the curtain call. The facility, located on Miami University’s campus in Hamilton, Ohio is a very nice venue.
I would like to see more productions by this company! It is definitely worth the drive!
The pure, the bright, the beautiful that stirred our hearts in youth The impulses to wordless prayer The streams of love and truth The longing after something lost The spirit’s longing cry The striving after better hopes These things can never die
“I just have to do something,” said Rev. Bob Smitley, interrupting his own closure to his brilliant homily for Rev. Greg King’s service of celebration. “When we go to a great show what do we always do at the end to show we loved the show?”
The applause began immediately, and the enormous crowd, nearly filling the large cavernous Ascension Catholic Church of Kettering to capacity, rose to its feet.
While the celebration induced the activation of the tear ducts, the heartache was continually battled by the superior force of laughter. I don’t believe I’ve ever laughed so much, and so hard, throughout a “celebration of life” service than the one offered in the memory of Rev. Greg King.
To know the King family is to know God’s truer message… love one another, and for crying out loud, laugh as much as you can. I’ve been fortunate to know Greg’s beautiful wife, Patti, and two of his equally beautiful four children, Greg and Kristen. I mostly saw Rev. Greg at band concerts, band contests, musicals, and at the church for a production of GODSPELL, directed by his wife. I did not know him as well as Patti, but upon each meeting I was greeted with a deep warmth, and joy, that always re-ignited my own inner joy. He definitely had “a way” with people… with life.
Within twenty minutes of the service honoring Rev. King, I was thinking, “I wish I could have known him.”
The timid hand stretched forth to aid A brother in his need; A kindly word in grief’s dark hour That proves a friend indeed; The plea for mercy softly breathed, When justice threatens high The sorrow of a contrite heart These things shall never die
The tributes from two of his children, son Greg’s through song, as well as his brother, sister, nephew, and nieces, were moving, inspiring, filled with hilarious anecdotes, and so much love, and magnificent affection. It was one of those rare moments when I realized that this is the type of man I aspire to be. Greg King is my role model.
I was overjoyed when I learned that he, too, wrote notes to his children all the time. I believe this, as a dad/parent, is vital. Mother has written me notes, and sent cards, since I was a tiny fellow, and I believe I have nearly every one in my collection. As a dad, I write little notes, and letters, to my sons. I always believed I would find them tossed in the waste basket, but they are always tucked away in a special place.
Had I not attended the service, I would never have known just how much life was lived by this man, and just how much fun he had with life. I felt so reassured that a father can joke, tease, wrestle, play practical jokes, sing silly songs, act crazy, elect to spend time with his children, be creative with parenting and discipline, talk to his children, throw food, and clown around with his children. I always felt out of place in the parent-world because I am quite unorthodox as a single dad. I cannot wait for those moments to do things with sons – especially, laugh, and have fun. These are the same memories I want my sons to cherish – so many like the ones I know the four King children will always cherish. The stories from Rev. Greg’s family supplemented my belief that I am on the right track, and that I should proceed, full speed, ahead.
Once we become adults, we tend to let go of heroes, role models, and fellow teachers. I love moments when my path crosses that of another who offers hope, confidence, and an opportunity for me to “look up” to someone. Greg King has become that person for this chapter of my life. Since childhood my number one hero has been Abraham Lincoln, and it only seems ironically appropriate that I write of Rev. King on President Lincoln’s birthday.
Let nothing pass, for every hand Must find some work to do Lose not a chance to waken love Be firm and just and true So shall a light that cannot fade Beam on thee from on high And angel voices say to thee “These things shall never die.”
I heard the word, legacy, mentioned several times. And what a legacy Rev. Greg King has with those who who loved him, and knew him best. It is the kind of legacy we often dream of leaving… Greg King’s legacy is one we should all leave.
The King, as in Greg King, has left this earthly building; however, the spirit of the man – the husband, the father, the son, the brother, the uncle, the minister, the neighbor, the friend, the counselor, the mediator, the organizer, the worker, the leader, the follower, the instigator of pranks, the laugher, the clown, and the ultimate servant with a great servant’s heart – remains. He shared with the world his own personal recipe for life. Sadly, so many of us seldom realize that the same ingredients are also within our own reach until we are reminded by great men like Greg King. I am so grateful that I have been reminded that this same recipe is imprinted in my own spirit, in my own mind, and on my own heart.
Photos I obtained/stole from Patti’s Facebook site.
** THINGS THAT NEVER DIE, by Charles Dickens, and inserted throughout the blog.
“The white people, who are trying to make us over into their image, they want us to be what they call “assimilated,” bringing the Indians into the mainstream and destroying our own way of life and our own cultural patterns. They believe we should be contented like those whose concept of happiness is materialistic and greedy, which is very different from our way.
We want freedom from the white man rather than to be intergrated. We don’t want any part of the establishment, we want to be free to raise our children in our religion, in our ways, to be able to hunt and fish and live in peace. We don’t want power, we don’t want to be congressmen, or bankers….we want to be ourselves. We want to have our heritage, because we are the owners of this land and because we belong here.
The white man says, there is freedom and justice for all. We have had “freedom and justice,” and that is why we have been almost exterminated. We shall not forget this.”
I walked into a classroom in The Teachers’ College at Ball State University one day, and on my student’s desk was a sheet of paper with the following life instructions from Charles Schwabb. I read the information, and slipped the sheet into my folder. For the past twenty-eight, or so, years, I have lived by these rules. I still have the sheet at my desk.
1. Hard Work: Hard work is the best investment a man can make.
2. Study Hard: Knowledge enables a man to work more intelligently and effectively.
3. Have Initiative: Ruts often deepen into graves.
4. Love Your Work: Then you will find pleasure in mastering it.
5. Be Exact: Slipshod methods bring slipshod results.
6. Have the Spirit of Conquest: Thus you can successfully battle and overcome difficulties.
7. Cultivate Personality: Personality is to a man what perfume is to the flower.
8. Help and Share with Others: The real test of business greatness lies in giving opportunity to others.
9. Be Democratic: Unless you feel right toward your fellow men, you can never be a successful leader of men.
10. In all Things Do Your Best: The man who done his best has done everything. The man who has done less than his best has done nothing.
Navi went into surgery at 10:00am. After driving into Gratis to get some coffee, and take photos of the cemetery, I returned to the Preble County Historical Society to take photos of the cabin, and other items.
Navi was ready to go by 12:15pm. She is home, alert, and being protected by Chief who will not leave her side.
This morning at 8:30am I was at the endocrinologist’s office for a bi-monthly check-up, and blood draw. After that I hurried to the middle school to teach until 1:00pm, rushed home to scarf down some lunch, take a 30 minute nap, and then teach. As always, our Wednesday Pizza-TV night was filled with Papa John pizza, and tons of laughter with the ABC line-up of THE MIDDLE, SUBURGATORY, and MODERN FAMILY.
Thursday morning, I will drive Navi to Gratis for her surgery (spaying), return home for teaching. Quintin will have his percussion lesson after school, and percussion ensemble later in the evening.
Friday I get a fairly low-key day. A few lessons, and time alone while Quintin has percussion until 8:00pm.
Saturday morning will be a bit harried as I accomplish a few house items, get Quintin out the door for percussion ensemble rehearsal, and his late-afternoon MEPA competition at Nutter Center. At 2:00pm I will attend the life celebration of Rev. Greg King, and hurry to Nutter Center to catch Quintin’s competition at 5:42pm.
Sunday morning will see Quintin out the door again for more rehearsal time, followed by another MEPA competition at Trent Arena on Fairmont’s campus. I will head south to Hamilton, Ohio to watch a student perform in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. I am looking forward to seeing her in this performance.
A busy weekend filled with percussion music, moments to celebrate the life of a great man, and musical theatre. This is life!
This morning, my brother, Destin, and I received an email from Mother: As of February 3rd, I am retired from the Elwood Police Department.
Despite the fact Mother had expressed some consideration along this topic, we were not aware that she was actually setting the process into motion, and so abruptly. The new administrative changes throughout the city’s leadership were becoming quite stressful, and the air of low-morale, and consistent uncertainty were affecting Mother’s health. When she initially broached the subject over Christmas, I thought it a bit premature since the elected-changes had not yet occurred. However, as she began experiencing the health issues, I was somewhat relieved, yet still surprised, by her announcement.
I was sixteen, and a sophomore in high school, when we became a part of the police family. I suddenly had about 15 police-uncles, several police-aunts, and a ton of police-cousins. I knew that I always had folks looking after my family. This was especially comforting when I left for college.
The police department was like any other family – the good times, the not-so-good times, celebrations of weddings, anniversaries, birthdays, births, graduations, and successes. The family came together at those less celebratory moments, especially when death shrouded a family unit. The worst was the loss of officers’ children who were teenagers with me.
For the past thirty-one years, I’ve seen Mother joyfully embrace her work with the Band of Blue, and even during the more stressful moments, I never knew her to waiver in her dedication. Mother was often a big sister, a confidant, a friend, and whether appreciated, or not, always honest with requested advice. One of her most incredible talents is her ability to organize, and produce. I am so grateful I received this genetic component from Mother!
I am proud to be the son of this woman who gave so much of her self to her career. I am relieved that her retirement from the police department is not a retirement from being Mother/Mama to my self, and Destin. The retirement from the EPD will allow her more time for her Grandma-responsibilities!
My grandfather, Leroy ‘Red’ Barmes, joined the department in 1952. Sixty years later, our immediate family’s connection to the Elwood Police Department has finally come to a close. I must admit, it is a tad bittersweet.
Mother: Congratulations on 31 years of such fine service to the department, and the community; and, congratulations on your well-deserved retirement. I am so grateful for, and proud of your career, and so happy (and a little tearful) to know this chapter has now moved on to the next.
I’ve been entertained by a plethora of varying reports on Madonna’s Super Bowl half-time production. The boards are lighting up with armchair-choreographers and directors this evening, and critiquing the 53 year old Queen Mum’s performance.
Fifty-three? Wow! And she can still move! Impressive!
It seems that most of the reports, both amateur and professional, were extremely favorable.
The basic critique from the camp that were not as impressed:
Madonna was lip-syncing her entire performance
Her mouth was not always together with the music
She was dancing too wildly to have been singing
My thoughts…
Lip syncing? No big deal for me. Considering the venue, and the fact that this is one of the most viewed moments in television the entire year, it would be a safer approach.
If you’ve ever been in a large facility such as a gym, a football stadium, or huge concert arena, sometimes there is a very slight sound delay. Watch Jim Nabors singing “Back Home, Again, In Indiana” prior to the start of the Indy 500 – slight sound delay.
Dancing too wildly? That was wild? Anyone who has ever seen a Hoosier show choir knows they sing and dance with far more motion, movement, and intensity that what I saw on the video feed.
Honestly, I thought it a great production. This is 2012. We expect spectacle. In past years we even got a peek at some boobage during a half-time show. How’s that for spectacle?
Madonna delivered a very entertaining product for the Indianapolis Super Bowl.
For a number of years I have always wondered why the West-front windows of Mount Vernon were off-set. I found a “Ask Mount Vernon” link atGeorge Washington’s Mount Vernon
I sent the following note:
I’ve wondered, for several years, why the windows on the right side of the Western entrance are off-set. During the phases of remodeling was the staircase relocated to its present location thus forcing a shift in the window placements?
Thank you for your time in response!
Darin Haas
Kettering, OH
This morning I received the following note:
“Ask Mount Vernon”
Mount Vernon Estate & Gardens
Dear Darin,
Thank you for contacting us with your question re: the irregular spacing of the windows on the west front of the Mansion.
You have accurately deduced the reason why the windows to the south of the front door are off-set. The windows originally aligned with those in the basement when the house was built in 1735. When George Washington raised the building from 1.5 to 2.5 stories in 1758-59, he also changed out and enlarged the staircase in the hall. That meant that the window there was captured entirely within the stair landing — not a very good situation. So Washington elected to shift both first floor windows so that they would be within the Small Dining Room — and aligned the new second floor windows to match. The resulting assymetry became a more significant concern later on when Washington expanded the house again in 1774-1776, when he added the cupola and roof pediment partly in an attempt to distract the eye from the messy details down below. If you are interested in learning more about the architecture/building of the house, the best book on the topic is Geroge Washington’s Mount Vernon: At Home in Revolutionary America, by R. and L. Dalzell, Oxford, 1998.
I hope that this is the information that you were looking for, and thanks again for your interest in Mount Vernon.
Sincerely,
Dennis Pogue
Vice President for Preservation
I so appreciate the countless individuals, and organizations that help to keep history alive!
MEDIA RELEASE
For more information and interview requests please contact:
Leigh Allan, Marketing Director
leigh@humanracetheatre.org
(937) 461-3823 ext. 3112
Or Kevin Moore, Producing Artistic Director
kevin@humanracetheatre.org ext. 3115
Human Race logo attached
THE HUMAN RACE THEATRE
ANNOUNCES ITS 2012-2013 SEASON
The Beginning of A Second Quarter Century of Great Theatre
The Human Race, Dayton’s own professional theatre company, will begin its second 25 years with a season with something for everyone, and whole lot for theatre fans.
The subscription series includes a beloved musical, a notorious musical with beloved puppets, the latest from one of America’s foremost contemporary playwrights, a merry (and horny) widow, and even a little football.
And for those who think the mix needs a serial killer, there’s a Loft Season Extra.
The five shows of the 2012-2013 Eichelberger Loft Season of The Human Race are (more information on each and the dates of each run at the end of the release):
MANAGING MAXINE – a new comedy of septuagenarian sexiness and matronly merriment, as a widow hits the dating scene
OLIVER – consider yourself in for fun, glorious fun as the classic musical gets sized just right for The Loft
LOMBARDI – a winning drama about the legendary Packers coach isn’t everything, it’s the only thing
RACE – when David Mamet fights the law, the law doesn’t necessarily win
AVENUE Q – Mama never told you a puppet musical would be like this
Each of the regular season shows is scheduled to run three weeks, with the same special events in each run at The Loft Theatre, downtown: a Thursday night preview, preceded by the Inside Track discussion with the director in the Loft lobby; Friday Opening Night followed by a party with the cast; a Tuesday night Lite Fare at The Loft; a While We’re on the Subject talkback after a Sunday matinee; and a Saturday signed and audio-described performance opportunity.
Subscriptions are available in 3-, 4-, and 5-show packages as well as in Flex plans. Both renewing and new subscribers may place their order at https://www.ticketcenterstage.com/hrtc/subs , or by calling Ticket Center Stage at (937) 228-3630 or visiting the Schuster Center Box Office. New subscribers will not get seats assigned until after the April 23 deadline for renewing subscribers to have their seats guaranteed.
The Loft Season Extra, part of The Human Race’s effort in development of new plays begun under its 25th Anniversary project, unveils the dark side of noted children’s playwright and author Michael Slade.
FURTHER INFORMATION ON THE 2012-2013 LOFT SHOWS
MANAGING MAXINE
By Janice Shaffer
September 6-23, 2012
Actually, nobody has the slightest chance of managing Maxine. She’s a 71-year old widow, hot on the dating trail for the first time in 45 years and ready for love, or at least lust. The former teacher and writer finds a retired judge to her liking, and they find fireworks with offspring and friends that their coupling ignites. The Human Race production is the Midwest Premiere of this southern belle who is managing just fine, thank you.
OLIVER By Lionel Bart
November 29 – December 16, 2012
The musical version of Charles Dickens’ Oliver Twist has been a major hit around the world since it took the London stage in 1960 and captured Broadway in 1963, garnering 10 Tony nominations. The tale of the orphan being led down the pickpocketing path has been redesigned with a Twist that makes it perfect for the intimacy of The Loft, but rest assured the music, from the rollicking “Food, Glorious Food” to the soulful “As Long As He Needs Me,” is as stirring as ever, and a terrific holiday treat.
LOMBARDI By Eric Simonson
February 7 – 24, 2013
There aren’t many coaches in any sport who gain such fame they’re instantly recognizable by last name alone, and Vince Lombardi is definitely a member of that select group. The legendary leader of the dominating Packers of the 1960s bullies and cajoles a cub reporter through weeks of interviews, and on the way the audience comes to grips with Lombardi’s struggles, his passion for winning, his home life, and his relationship with players like Paul Hornung, Jim Taylor and Dave Robinson. Oh, and a little football, too.
RACE By David Mamet
April 4 – 21, 2013
David Mamet skewered American business and businessmen in such earlier masterpieces as Glengarry Glen Ross and American Buffalo. This time he takes off after both the practice of law and race relations, led by a black-and-white lawyer team that puts the sin back in cynical. The two are hired by a wealthy and powerful white man accused of raping a young black woman, and they and their new African-American female associate cross and re-cross all sorts of ethical and racial lines in inimitable Mamet style.
AVENUE Q By Robert Lopez, Jeff Marx, and Jeff Whitty
June 6 – 23, 2013
Oh, my, did this show ever turn the idea of a puppet musical on its head. AVENUE Q swept the Tony Triple Crown of Best Musical, Best Score and Best Lyrics in 2003, captured Broadway for six years, and is still going strong off-Broadway. With drinking and sex and songs like “It Sucks to Be You” and “Everyone’s A Little Bit Racist,” it’s not for the little ones or the faint of heart, but it’s an incredible night of fun, presented in collaboration with the puppetmasters at Dayton’s Zoot Theatre.
LOFT EXTRA
UNDER A RED MOON
By Michael Slade
October 18 -28, 2011
It’s 1949. John George Haigh, Britain’s infamous Acid Bath Killer, has been arrested after six years of homicide and somewhere from six to nine murders. He has confessed to the killings, but a big question remains – is he sane or insane? One means hanging, the other life in a psychiatric ward. A female psychiatrist comes to examine Haigh and the tension mounts as he twists and turns her thoughts and you begin to wonder just who is examining whom.
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The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 219-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces for the Victoria Theatre’s Broadway Series, the Musical Theatre Workshop series, and special event programming. The Human Race, under the direction of Producing Artistic Director Kevin Moore, also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, The Muse Machine In-School Tour, and summer youth programs. Human Race organizational support is provided by Culture Works, Montgomery County Arts and Cultural District, Shubert Foundation, the Erma R. Catterton Trust Fund and the Ohio Arts Council. The Ohio Arts Council helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Human Race’s 25th Anniversary Season is sponsored by the Miriam Rosenthal Memorial Trust Fund.
I’ve never had the opportunity to see this musical, but have always been fascinated with it. The music is incredible, and the arrangements for the musical are invigorating!
Go see it! Enjoy it! (For you, Mr. S___ with great thanks!)
The story dramatizes the forming, rise and eventual break-up of the original four members of The Four Seasons. The musical is separated into four “seasons”, each narrated by a different member of the band. Act 1 comprises Spring (Tommy DeVito) & Summer (Bob Gaudio); Act 2 comprises Fall (Nick Massi) & Winter (Frankie Valli); each member has a different perspective on the band and his contribution to it.
Act I
Spring
The show opens with a performance of “Ces soirées-là“, a modern pop-rap song that was released in 2000. Tommy DeVito then enters the stage, introducing himself and explaining how the song is a cover of The Four Seasons’ “December, 1963 (Oh, What a Night)“. He offers to tell the story of the band, explaining how he started out with the group “The Variety Band” with his brother Nick DeVito and friend Nick Massi, eventually discovering teenager Frankie Castelluccio and taking him under his wing, teaching him everything he knows. (“The Early Years: A Scrapbook”) During these early years Nick Massi helped train Frankie to sing, Tommy went in and out of prison, Frankie changed his last name to Valli, Tommy and Frankie developed a good relationship with mob boss Gyp DeCarlo, and Frankie fell in love with and married Mary DelGado. Musically, the band was still struggling and kept changing their name and sound but without any dramatic success. One day friend and fellow Jersey boy Joe Pesci comes up to Tommy and says that he knows a singer-songwriter who’d make the perfect fourth for their band: Bob Gaudio.
Summer
Bob Gaudio takes over the narration, starting by telling the audience that no matter what Tommy says, he wasn’t plucked from obscurity by him, since he already had a hit single with “Short Shorts“. Bob goes with Joe Pesci to see the band perform, and is immediately impressed by Frankie’s voice. Bob performs a song he’d just written: “Cry for Me” on piano, which Frankie, Nick Massi and then Tommy joining in with vocals, bass and guitar respectively. They negotiate an agreement, though Tommy is at first skeptical that Bobby (then still a teenager) will be good for the band. The band eventually gets a contract with producer Bob Crewe but only to sing back-up (“Backup Sessions”). Crewe insists that the band has an “identity crisis” and needs to make a firm decision on a name and a sound. The band name themselves after The Four Seasons bowling alley, and Bobby writes them three songs that finally propel them to stardom: “Sherry“, “Big Girls Don’t Cry” and “Walk Like a Man“. In the wake of their success, Bob also chalks up a personal first by losing his virginity. (“December, 1963 (Oh, What a Night)“) The band’s success means that they tour a lot more, along the way discovering the girl band The Angels (“My Boyfriend’s Back“). Unfortunately, the constant touring strains Frankie’s marriage to Mary, and they eventually divorce (“My Eyes Adored You“). The band continues to enjoy chart successes (“Dawn (Go Away)“) until after a concert the band is approached by a loan shark out to claim money owed by Tommy (“Walk Like a Man (reprise)”).
Act II
Fall
The second act opens with “Big Man in Town“. Nick Massi explains that Bob was so focused on the band’s musical success and future that he couldn’t see that the band had been in trouble for some time. Tommy’s been racking up debts, and a forgotten bill during a previous tour lands the band in jail over the weekend, which strains things between Tommy and Bob. Nick observes that Tommy became jealous of Frankie’s success and closeness with Bobby, and attempted to seduce Frankie’s new girlfriend Lorraine. The two never confronted each other about it, but the old friendship was not what it used to be. When the loan shark approaches the band for the $150,000 owed by Tommy, Frankie approaches Gyp DeCarlo for help despite Tommy’s insistence that he doesn’t need it. (“Beggin’“) The band, Gyp, and the loan shark come to agreement: Tommy is to be “sequestered” in Las Vegas where the mob can keep an eye on him, and the band will willingly cover all of Tommy’s debts. The band continues for a while as a trio until Nick declares that he wants out. (“Stay/Let’s Hang On!“)
Winter
Frankie takes over narration, explaining that though he owes Tommy a great deal, he’s aware that their relationship wasn’t ideal, and he never understood why Nick decided to leave. Frankie and Bob find replacements to keep the band a quartet (“Opus 17 (Don’t You Worry ‘Bout Me)“) until Bobby announces that he’s never been comfortable in the spotlight and that Frankie should be a single, i.e. Frankie Valli and the Four Seasons. In his personal life, Frankie’s relationship with his daughter Francine is strained and he breaks up with girlfriend Lorraine. (“Bye, Bye, Baby (Baby, Goodbye)“) Frankie continues to have success thanks to Bobby’s songs, and hits jackpot with (“C’mon Marianne“) and the almost-never-released (“Can’t Take My Eyes Off You“) which Bobby fights to get airplay for. Along with the success of “Working My Way Back to You“, Frankie and Bobby finally finish paying off Tommy’s debts, and Frankie’s life is good until his daughter Francine dies from a drug overdose. (“Fallen Angel”)
Finale
The final scene is The Four Seasons’ 1990 induction into the Rock and Roll Hall of Fame, announced by Bob Crewe and reuniting the original four members on stage one last time. (“Rag Doll“) Each member takes a moment to address the audience one by one, explaining their pride of being with the band and what they did after. (“Who Loves You“)
We are excited to announce that we will be holding our first
online matching event on January 26th at 11am pst.
A Family For Every Child has partnered with the state of Washington to help foster children find permanent placements.
During this online webinar event you will have private access to 10 special children, where you can view photos and/or video.
Caseworkers will be on hand to answer your questions and give families feedback and information about the type of families that would be the best match for these children.
In order for you to attend this special event
you will need to to fill out the online sign up form
and insure that you have uploaded
your homestudy with us.
Only Adoption workers and Families with completed homestudies will be approved to attend
to this event due to the personal and detailed
information that will be provided about
the children during the event.
We will be featuring 9 special children who are waiting for their forever families!
Joe
12 years old Joe Likes to be active and enjoys basketball and being outdoors.
Randy
14 years old
Randy helps with chores which include cleaning his room, making his bed, and vacuuming.
Katherin 15 years old
Katherin has many talents and interests, some that include colorling, crossword puzzles, and helping others.
Cody 14 years old
Cody likes swimming and enjoys warm weather.
Skyler 15 years old
Skyler is an avid baseball player, who also enjoysriding his bike and skateboarding.
Tatianna 11 years old
Tatianna is an expressive and curious young lady who is extremely bright.
Jonathan 11 years
old
Jonathan loves everything about nature including fishing and camping.
Jordan 11 years old
Jordan likes food, especially eggs and bacon over creal.
Wesley 14 years old
Wesley likes to play video games and spend time with the people most important to him
Please feel free to contact us if you have any questions about attending or registering for this event Linzy Munger – Linzy
The weekend was a delightful world-wind of activity, all centered around music and friends!
Friday evening after teaching, Quintin and I headed for Beavercreek High School where I served as a judge for the show choir’s invitational. Friday was middle school show choir night. Five competing show choirs and two exhibition show choirs from Beavercreek.
Saturday morning at 8:30am I was heading back to Beavercreek High School where I spent sixteen hours judging soloists, judging show choirs, eating a delicious lunch and supper, and catching up with colleagues, fellow judges, show choir parents, and friends. I always enjoy Beavercreek’s weekend, but this seemed to be an exceptionally fun year.
Sunday morning was filled with house-activity of playing catch-up with items. At 12:10pm we were out the door to UNO’s pizza downtown before heading next door to The Victoria Theatre to see Muse Machine’s production, THE WIZARD OF OZ.
I was seated next to three adorable elderly sisters who could easily have been USO girls during The War Between The States – they had me howling! As I nestled into my seat I looked at my neighbor, and said, “I can tell you are gonna be trouble the whole time.” She slapped her knee, and said to her companions, “He’s already got my number!” The one sister had brought her fellow octogenarians to see her granddaughter perform, and each time the young performer was located in the mass of young folks on stage, they pointed, and without whispering, loudly exclaimed, and explained to one another where the girl was. At one point, the lady next to me (who was slightly deaf) asked, “Are you enjoying this?” I smiled, nodded. She responded to my silent response with, “I am, too. I saw the movie as a girl.” She then turned to her sisters, and loudly said, “He likes the show, too,” accompanied by more verbal interaction.
Normally, I am usually irritated by loud talking during a show, but these ladies were so adorable that I did not mind.
After the show, we burst through the crowd to hurry home for three evening lessons – just making it in time.
Quintin and I closed out the weekend with a meal at Taco Bell, and spent a good 45 minutes chatting about life.
Back at home, I finished up some items and was sound asleep by 10:00pm.
Welcome to 2012.We at Wells Institute are excited about presenting new research opportunities in the area of Type 2 Diabetes, High Blood Pressure, Post Shingle Pain and more.If you are unemployed or without medical insurance, Wells Institute may be an option to help offset the costs of your medical expenses.
If you think you may qualify for one of our studies you may be eligible for No Cost medical care.
The following is a list of our currently enrolling research studies:
Type 2 Diabetes – taking Oral Medication, or are on Insulin.
Type 2 Diabetes – with High Blood Pressure and taking blood pressure medication.
Type 2 Diabetes – taking Insulin and have a Cardiac History.
Post Shingle Pain – pain 3-6 months after a Shingles outbreak.
Upcoming Studies:
Diabetic Neuropathy (February 2012)
Cat Allergies (September 2012)
Other Services by appointment (cash only):
Physicals $45.00 each
Immunizations (TB Tests, Tetnus Shots, MMR, Hepatitis B series) Please call for prices.
If you would like more information on any of the above studies to see if you qualify or to schedule an appointment please call :
Wells Institute at 937-293-2157 or 866-293-2157 – toll free
Wells Institute has partnered with the following local companies:
Pilates Plus Movement Studio – they offer classes in Pilates, Yoga, Zumba and more. For more information call Susan Honer at 540-521-1860 or on the web at www.pilatesplusmovementstudio.com
Licensed Massage Therapist – Lyn Harris – 937-671-2953 – Lyn is located at 6143 Farr Hills Ave in Centerville. She performs Relaxation &,Theraputic Massage and Hot Stone Massage.
L2 Marketing Research LTD. – a consumer market research company located in Moraine, OH. For more information call Lou Es Green or Libby Webster at 937-435-5067 or on the web at www.L2MR.com.
Shop 4 U – Shopping and Delivery service – Shop4U is a Personal shopping service. For more information call 937-424-0011 or on the web at www.2shop4u.biz